What is my intention in writing
these notes? To say something about the writing of poetry? Not what is taught
in poetry classes, but the friction point in the hazel twig, the spark taking
hold.
And thus, fear of the dark and
the strangeness of herons combine to make a poem.
I'd been startled by a soft thud above my head. A heron had landed on the conservatory roof. I’d never seen a heron at such close quarters, and certainly not from underneath. It settled itself, raking its impossibly long thin toes across the Perspex. It was an unnerving sound, as other-worldly as the bird’s pterodactyl-like appearance, but it was a sound I recognise, one that late at night had often frightened me. That herons are out and about in the dark I know, for I’ve seen one fishing in the river at midnight, but it hadn’t occurred to me they would land on my roof.
Little Gods
Herons hunch
on the roof ridge,
grey as
imagined terrors,
little gods
to be placated
lest they give me
the evil eye.
© Sheila
Wild
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